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Use cases
UGC and performance adsShort-form socialE-commerce product videoFilm previs and pitch trailersMusic videos and visualizersAgencies and studiosAll use cases
PricingGroupbuysMCP, New

See every shot before the shoot.

Cut a rough blocking clip up to 30 seconds. Keta keeps its moves and timing and rebuilds every shot from your prompt.

Powered by Seedance 2.5

Seq 12Rooftop chase

480p draft
2.39:1
  1. 01Wide00:00–00:06Static · 24mm
  2. 02Low tracking00:06–00:11Track left · 35mm
  3. 03Side00:11–00:17Slow motion · 50mm
  4. 04High wide00:17–00:24Crane up · 24mm
  5. 05Close00:24–00:30Push in · 85mm

Deliverables

From first frame to pitch room.

Disposable by design. Render it, judge it, throw it away, render it again.

  • Shot-by-shot previs

    Each shot of a sequence, framed and lit before the shoot.

    16:9 or 2.39:1 · 480p

  • Animatics

    A storyboard in motion, cut together from several clips.

    16:9 · 480p–720p

  • Look and lighting tests

    Time of day, weather and grade, tried before the scout.

    16:9 · 720p

  • Pitch and sizzle trailers

    Cut from several clips for decks and financing calls.

    16:9 or 2.39:1 · 720p

  • Treatment visuals

    Moving frames for commercial treatments and a director's pitch.

    16:9 · 720p

  • Location stand-ins

    A feel for a place before anyone flies out to scout it.

    16:9 · 480p–720p

Why volume

Previs is iteration.

Every move takes tries: lens, angle, blocking, light. Credits make you count each one; a flat month gives you up to 100 a day.

  • Netflix says its creators already use AI tools in pre-visualization and shot planning.1
  • Netflix says GenAI workflows have been used in about 300 of its titles, from concept to pre-vis.2
  1. Netflix Q2 2025 earnings interview, 17 Jul 2025. Checked 14 Oct 2026. ↩
  2. Netflix Q2 2026 earnings interview, 16 Jul 2026. Checked 14 Oct 2026. ↩

Shot 04

Crane up

00:17–00:24

  1. Take 124mm, light rain
  2. Take 235mm, heavy rain
  3. Take 3Dusk, sodium light
  4. Take 4Slower crane
  5. Take 5Lower start, wider end
  6. Take 6, 7, 8…

Each extra take$0.00

Prompts

Three shots to start from.

Paste one, then change the lens, the light or the move until the shot is right.

  1. EXT. ROOFTOPS – NIGHT2.39:1 · 0:08 · 480p

    Previs, 2.39:1 framing, night. A low-angle tracking shot follows a courier sprinting across a wet rooftop, leaping the gap to the next building. The camera cranes up as she lands to reveal a sodium-lit skyline in the rain.

  2. EXT. MINING TOWN – DAWN16:9 · 0:12 · 720p

    Wide establishing shot, anamorphic look. A drone descends through morning fog into a small 1970s mining town in a valley as one pickup truck's headlights wind down the main street. Muted greens, lens flare.

  3. INT. SUBMARINE CONTROL ROOM16:9 · 0:10 · 480p

    Medium over-the-shoulder shot in a cramped submarine control room. A captain in her fifties leans toward a glowing green sonar screen, crew silhouettes behind her. Slow push-in to her eyes as a red alarm light starts to pulse.

Specs

Why 480p is enough here.

Previs is thrown away, so framing, light and movement matter more than pixels.

  • 480pFine for previs
  • 720pDecks and look tests
  • 0:30Longest single clip
  • 1080pBig-screen pitchesPrivate testing
  • Animatics and trailers longer than 30 seconds are cut from several clips in your editor.
  • Generated camera moves are not measured. Use them for look and feel, not technical previs.

Responsible use

Check the rules before it goes public.

Previs stays in the room. Pitch trailers travel, so they follow studio, union and platform rules.

  • Netflix

    Partner guidance accepts GenAI for ideation; final footage needs written approval.

    Kidscreen, 28 Aug 2025
  • Unions

    Synthetic performers in public trailers can touch union rules. Check first.

    SAG-AFTRA, 2026
  • YouTube

    A realistic trailer posted there is disclosed with the AI setting in YouTube Studio.

    YouTube Help
  • Real people

    No real actor's likeness without written consent, and never a public figure.

    Acceptable use

Previs questions

Is 480p good enough for previs?

Yes. Previs is meant to be thrown away, and 480p shows framing, light and movement. Use 720p for decks and look tests.

Can I make a trailer longer than 30 seconds?

Each clip runs up to 30 seconds. Longer animatics and pitch trailers are cut from several clips in your editor.

Are the camera moves accurate enough for tech-vis?

No. Generated moves show look and feel, not real lens data, crane reach or distances. Plan the technical side with your camera team.

Does Keta replace a previs team?

No. It gives directors and previs artists more takes to explore. Technical previs and the final shots still need your crew.

Block the whole sequence first.

Up to 100 videos a day for $500 a month, paid in crypto. 480p drafts, 720p for decks.

Ask your agent what Keta can do

Point your agent at ketagen.com/llms.txt for Keta’s facts, and ask about your use case.

Question for your agent: Read https://ketagen.com/llms.txt and tell me what Keta can do for me. Ask about my use case if you need to.

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